One of the world's foremost saxophonists and educators, George Garzone (USA) at The Music Place South Melbourne recently.

My first attempt at auditioning was at the end of my VCE, I was nervous, sick and ultimately not good enough. I spent a year at Monash studying music where I learnt the basics; soloing over a Parker blues and Autumn Leaves. This gave me the foundations to try again for the VCA. I succeeded second time around and was ecstatic. Ultimately, Monash wasn’t the right fit for me and I just new VCA was the way. I was right.
My first year at VCA was spent developing what I had leant at Monash. My playing expanded in every direction, from free
improvisation to playing my own and friends original works. Working on free improvisation was a great way to develop tone, expression and confidence. It
helped my ‘standards’ playing greatly.
I have found the course to be flexible to my needs and wants. The course became more flexible the further I went. VCA encourages you to find your niche by providing diverse material and applications in which to use it.
I was weary about comments I had heard about VCA students coming out of there as ‘cookie cutter’ musicians. That couldn’t be further from the truth. There are 4 sax players in my year and we are all poles apart, stylistically speaking. We all have very individual sounds and playing styles.

I found the VCA a predominantly positive space for learning as well as networking. The people I met there are not only wonderful friends but work colleagues as well, we love getting together for a gig.
